The Outlaw Collection skull hero Flynn signature

THE OUTLAW COLLECTION

Ten black-and-white paintings dedicated to Willie Nelson and musicians connected to the outlaw music world.

Flynn painted the collection in black and white because when you live life as an outlaw, things can get pretty black and white. You’re free or you’re locked up. Rich or broke. Dead or alive.

The collection started with Willie Nelson and grew into the musicians, characters and stories around that world. Different people, different lives, but all with something in common — they did things their own way.

BANDANA MISFIT — Willie Nelson, painting by Flynn

BANDANA MISFIT

Willie Nelson

130 × 150 × 2 cm

Water-based spray paint + acrylic

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BURNING DAYLIGHT — Johnny Cash, painting by Flynn

BURNING DAYLIGHT

Johnny Cash

130 × 140 × 4 cm

Water-based spray paint + acrylic

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VELVET & STEEL — Emmylou Harris, painting by Flynn

VELVET & STEEL

Emmylou Harris

130 × 140 × 4 cm

Water-based spray paint + acrylic

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NO COMPROMISE — Waylon Jennings, painting by Flynn

NO COMPROMISE

Waylon Jennings

130 × 140 × 4 cm

Water-based spray paint + acrylic

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TRIGGER AND DUST — Willie Nelson, painting by Flynn

TRIGGER AND DUST

Willie Nelson

135 × 180 × 2 cm

Water-based spray paint + acrylic

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STILL ROLLING — Willie Nelson, painting by Flynn

STILL ROLLING

Willie Nelson

130 × 140 × 4 cm

Water-based spray paint + acrylic

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SUNDAY MORNING — Kris Kristofferson, painting by Flynn

SUNDAY MORNING

Kris Kristofferson

130 × 140 × 4 cm

Water-based spray paint + acrylic

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AFTER HOURS — Ray Charles, painting by Flynn

AFTER HOURS

Ray Charles

130 × 140 × 4 cm

Water-based spray paint + acrylic

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CHANGING TIMES — Bob Dylan, painting by Flynn

CHANGING TIMES

Bob Dylan

140 × 160 × 4 cm

Water-based spray paint + acrylic

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SMOKING STARLIGHT — Willie Nelson, painting by Flynn

SMOKING STARLIGHT

Willie Nelson

140 × 140 × 2 cm

Water-based spray paint + acrylic

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ABOUT

Flynn has been drawing and painting for as long as he can remember.

He got into spray paint through graffiti when he was younger. It became another way of working — faster, less controlled and with its own character.

His work has never been tied to one way of doing things. He uses spray paint, acrylic and whatever makes sense for the work.

For years, colour played a big part in his paintings. With The Outlaw Collection, he stripped it all away and worked entirely in black and white.

Flynn's studio

CONTACT

For inquiries regarding available works, exhibitions and collaborations:

flynn@flynnpaints.com